Query Tracking

The querying process is long and arduous. That much should be obvious by now. You need to find agents (a task that is surprisingly time-consuming), to write good queries, and to keep an eye on the queries you’ve already sent.

And that’s not all – if you want to improve your queries (not just the letter itself, but your writing samples and synopsis over time, it helps to know what worked and what didn’t.

That’s an awful lot of information to track, which is why I created a spreadsheet to track my progress.

I’m not going to put it up for download, because it’s full of weird color codes and assorted notes. It works for me, but it wouldn’t necessarily work for anyone else. Instead, here’s the list of the information I track:

  1. Name of the agency;
  2. Name of the agent;
  3. Date I sent my query;
  4. Date I received an answer;
  5. Date at which I should consider the query ignored or dead. Here, I make a note of whether no answer means I should re-query the agent, query another agent at the same agency, or consider that agency as a lost cause.
  6. What materials the agent requested. Some agents ask for five pages, other for ten or fifty. Some agents want a synopsis, others don’t. I’m tracking that to see if, for instance, I have more success with my first five or first fifty pages.
  7. Any useful comments made by the agent upon rejection – obviously, I don’t track form letters and generic rejections, but I do want to note any hints and pointers I get.

Hopefully that helps anyone looking for help in managing the query process.

Change of Tack

As part of my agent search, I constantly try to find ways to make myself more appealing as a business partner. Part of that is making sure that I offer an interesting value proposition to publishers as well, which includes being able to deliver books on time (and ideally fairly quickly.)

With that in mind, I decided that having an outline for the sequel to Book the First is probably not enough. So I’ve began writing that book (at the same time as the fantasy novel I’ve described a few posts ago.) Running two projects side-by-side is ambitious, but it’s also pretty motivating since whenever I get tired of working on one, I usually feel like returning to the other.

Once I get an agent, I’ll probably decide which book to focus on exclusively, but until then, I think this will be a better use of my time and energy.

(Of course, I also know I need a better platform than what I have now. It’s a work in progress, too. More on that in a future post.)

Query Report 3: Ouch.

It’s that time again, and this time, it’s not so good.

  1. Potential Agents Identified: 29. As usual, that’s probably low-balling it a bit.
  2. Query Letters Sent: 23. That includes one letter sent directly to a publisher, who’s actively soliciting un-agented manuscripts.
  3. Rejection Letters Received: 15, including one from the agent who had requested a partial manuscript. That’s the “ouch.”
  4. Ignored Queries: 0. I’ve moved the three I had in that category into the clear rejections category. Right now, all of my queries have been either rejected, have been responseless for at least a month more than the recipient claims is their dead-by date, or are still well within the live-query zone.
  5. Manuscript Requests: 0. The one request I had has been moved to rejections.

Where does that leave me?

Well, obviously, my basic query wasn’t working. A 1-in-8 manuscript request rate wasn’t great, a 1-in-15 rate is flat-out terrible.

So I’ve reworked my query – I’ve added comparables and a short bio, and I’ve rewritten part of the pitch (there was some awkward phrasing in there that I’m very glad I fixed.) We’ll see how it goes.

Back to the Query Drawing Board

I’m now beginning to get replies from my second series of queries, and I have to face the music: what I’m doing is not working very well.

On the positive side, it’s my query that seems to be the problem, not my manuscript. And I have inklings of what is wrong.

First, my query didn’t include an author bio. That may not seem like a big thing (and it probably isn’t the main reason my queries keep failing,) but including a quick line about me probably makes the letter a bit more relatable. And it’s something that I should have remembered: people are much more likely to give you a chance if they like you.

That’s easy to remedy, too: it’s easy to integrate a line or two that turn my impersonal query in a personal email. It’s a small-cost, high-impact change.

But the lack of a bio isn’t the big issue, I think. The major problem is that I didn’t state comparables. I’m probably too modest for my own good, and by ignoring comps I’m making it a lot harder to understand what story I’m offering, and it’s also ignoring the opportunity to sell my book.

Comparables are tricky, however. If I had to pick just one, I’d say my book most resembles the Dresden Files. But that’s a major series, and obviously some could find it a bit presumptuous that I want to compare my freshman novel to a beloved, fifteen-books-and-change opus. It’s not my intention: I really do think that my book is similar in structure, and style, to Fool Moon or Grave Peril.

But I’m going to try it, at least for one round of querying. Hopefully, it’ll hook more people than it’ll turn off. We’ll see!

Writing Another Book: Look-and-Feel

So, this is a fantasy novel. A quick glance at the Wikipedia definition will reveal that that’s not much of a description. Let’s try to define our project better (without falling into spoilers territory, of course.)

Of the listed subgenres, I think the story I want to tell is closest to heroic fantasy or sword-and-sorcery. It’s about people and their relationship with their world, not so much about world-shattering prophecies. At least, not at the start.

That said, to me, sword-and-sorcery reminds me of the works of Fritz Leiber and Robert E. Howard. And… that’s not what I’m doing. As wild and exotic as Aquilonia and Lankhmar are, I want my setting to be a bit more civilized.

For some value of “civilized”, at least. Think dastardly plots to discredit political opponents, secret alliances between baronies, the wheeling and dealing of merchant princes as they send explorers across the world to search for new luxuries and new markets.

Then add semi-common magic, fantastic beasts, and legends. And a fledgling scientifico-magical revolution, with scholars trying to find the rules governing the hedge-magic of the village midwife and the mysterious ways of the various faiths.

… makes me want to get back to writing, actually.

Writing Another Book: Authorial Intent

Since I have to do something besides waiting for answers to my queries, I might as well write a bit about Book the Second.

I’ve already stated that it’s not the sequel to Book the First, but I should probably state that I’m trying to write something significantly different. I’m switching genres (somewhat) by going for a classic secondary-world fantasy novel instead of First’s contemporary setting, but I also want to switch tone and voice. The point is to stretch my wings a bit and to exercise my skills more.

And that means making a few design decisions:

  1. This Isn’t About Me: I’m writing this book in the third person. I’m not quite sure which variation I’ll use yet, but I’m guessing I’ll err on the omniscient side;
  2. No, It’s Really Not About Me, I Mean It: A lot of the superficial traits of Book the First’s characters were either mine, or inspired by people I knew. I don’t get to use that trick this time. These guys are going to stand on their own.
  3. Let’s Have a Party (Maybe): I’m not quite sure on how far I’ll go with this yet, but I intend to have multiple viewpoint characters. I’m almost certain I won’t go as far as G. R. R. Martin, but writing something more like The Wheel of Time appeals to me. Well, the stylings, at least. I like my ideas and worldbuilding for this novel/potential series, but I don’t think it’ll be my cast-of-thousands, takes-a-whole-shelf fantasy series.

Obviously, I reserve the right to change those rules at any time, but I don’t intend to.

Next time, I’ll talk about the general look-and-feel of the fantasy world I’m envisionning.

Query Report 2: Don’t Panic (Yet)

So, it’s been roughly a month since my first query report, and since I said I’d try to do those monthly, I might as well get to it. Plus, there is something to report, so…

  1. Potential Agents Identified: 16 so far, and actually a bit more as some agencies don’t have in-house referrals, meaning if your first contact at that agency isn’t interested, you’re free to query the rest of the agency in due time. I didn’t get much research done in the last month, as I ran out of mental stamina a few days after the first Query Report post.
  2. Query Letters Sent: 10. That includes the first six I’d sent prior to the first Report, two more I sent in early December, and the two I sent yesterday. In this case, the low progress was deliberate: I didn’t want my queries to fall into the huge pile agents have to sort through as they come back from vacation.
  3. Rejection Letters Received: 4. I’m trying very hard not to over-analyze those, as they’re more than likely only form letters. Still, one in particular was surprisingly positive. But the fact remain that they’re still rejection, and so I’ve began looking at ways to adapt my basic query to up my success rate.
  4. Ignored Queries: Rapidly approaching 3. Of those, only one is from an agency that doesn’t clearly state their response/no response policy. But it’s been on hold for long enough that I’m calling it dead.
  5. Manuscript Requests: And that’s the good news. One of the agent I contacted requested a partial manuscript. So far, I count this as a 1/8 success rate for queries (the two queries sent yesterday don’t count, obviously. )

So let’s hope for further good news this month!

Back to the Keyboard

No more excuses!

As the holidays come to a close, it’s time to get back to writing. I’ll wait until the middle of next week to start querying again for Book the First, but it’s time to get started on Book the Second (no relation.)

This one is a more classic swords-and-sorcery fantasy novel. It’s actually my third try (lifetime) at this particular genre, although none of the other two got even close to completion. They did show me some of the traps of the format, however, which is why writing is never a waste of time.

So… as I head out for the evening, I’m 133 words into my next novel. Hey, I didn’t say I’d done a lot, only that I’d gotten started.

Happy New Year, everyone!

End of Year Chores

As the year comes to a close, I’ve had to put my writing career on hold for a few weeks. Like many people, I have a lot on my plate at the moment, and the little productive time I’ve had to invest in front of a computer has been unfortunately eaten up by the unyelding deadlines I had to meet.

The good news is that my holiday schedule is somewhat relaxed this year (by which I mean I’m working full-time, but don’t have multiple Christmas dinners and New Year parties to attend), and that I get some time off in early January. So I should be able to get started on Book the Second then. My summary bible is good enough, my synopsis is finished (although only in the notebook I work with on the bus – I haven’t typed it yet), and most importantly I’m chomping at the bit, counting down the days until I can afford to get back to writing.

But first there’s some partying to be done. So Happy Holidays, people!

Query Report: 1 of Hopefully Not Too Many

In commemoration of the receipt of my first official “Not Interested” answer, I figure I can throw some numbers out here, just to illustrate where I currently am in my search for an agent.

  1. Potential Agents Identified: 12 so far. I’m a firm believer that targetting agents who state their interest in the kind of book I wrote (contemporary fantasy, if anyone’s interested) is a lot more likely to lead to a successful query. Plus, it’s basic courtesy not to spam people.
  2. Query Letters Sent: 6. As a corollary to point 1 above, I think each agent deserves something better than a Dear Agent letter. Besides, the submission guidelines change from agency to agency, which means I have to rework each letter anyway. Still, I really need to push those remaining six letters out ASAP.
  3. Rejection Letters Received: 1. That’s not cause for concern yet. At this point, I’m trying really hard not to second-guess myself (and my approach) yet. Some rejections are perfectly normal (and I much prefer getting a formal response than being ignored – see below.)
  4. Ignored Queries: Rapidly approaching 1. The second agent I queried has a “If you don’t hear from me in two weeks, I’m not interested” policy. While I prefer to be told flat out if a particular line is dead, at least this gives me an idea of when to stop hoping. In this case, we’re right on the two-week mark… but I’ll give it a few days more, as the query was sent during Thanksgiving.

So this is where I stand. Obviously, not where I want to be, but this isn’t cause for anxiety yet. I’ll probably write up an update in a month or so.